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Someone eating noodles straight out of the cream KILN Saucepan standing at a worktop, one sock on, phone propped against a jar. Daytime, hard sun, no candles lit.
Three KILN pans going at once on a domestic hob with two people working round each other, one lifting a lid, steam and a tiled splashback behind. Daytime, hard sun, no candles lit.

Enamel on steel, in eight glazes.

Pressed from heavy steel and fired twice. The pan your kitchen keeps.
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Shop the glazes

Three hundred in the next run

The roasting pan sold out twice this year. Preorder now and yours ships first when the January run comes out of the kiln.

Shop by size

Sized by how many you cook for.

For one or two

The 2L casserole, the 16cm saucepan and the 24cm frying pan.

Shop for one or two
For four

The 4L casserole, the 18cm saucepan, the 28cm frying pan and both sets.

Shop for four
For six or more

The 6L casserole, the 20cm saucepan and the large roasting pan.

Shop for six or more
The sets

The Stovetop Set and the Table Set, each a little less than the pieces bought apart.

Shop the sets
Three KILN pans going at once on a domestic hob, the cream Casserole with its lid off, the cream Saucepan and the black Frying Pan with greens in it, a woman reaching across to the far one, tiled splashback behind. Daytime, hard sun, no candles lit.

Buy the casserole now and the saucepan in four years, and they still match. The glaze library never changes.

How it's made

Shop by piece

Pick the shape first. The glaze comes second.

The Casserole, 01 front

Casserole

The Saucepan, 01 front

Saucepan

The Frying Pan, 01 front

Frying pan

The Kettle, 01 front

Kettle

The Roasting Pan, 01 front

Roasting pan

The Mug, 01 front

Mug

The Bowl, 01 front

Bowl

The Plate, 01 front

Plate

The Pitcher, 01 front

Pitcher

Shop by family

Eight glazes in four families of two.

Chalk and Ink

Core

Ochre and Rust

Earth

Sage and Sea

Field

Butter and Damson

Table

All eight glazes

The whole library

Made for the middle of the table

Straight from the stove to where everyone is sitting. Enamel holds its heat, so the stew keeps going after the burner is off and the bowls go round.

Shop by glaze

Eight glazes, chosen so any two of them sit happily on the same table.

Chalk

Ink

Ochre

Rust

Sage

Sea

Butter

Damson

Four families
The glaze library

Eight glazes, no seasons

Chalk, Ink, Ochre, Rust, Sage, Sea, Butter and Damson, in four families of two. Nothing is added for a season and nothing is retired, so a pan you buy in four years still matches this one.

Shop by family
Glass fused to steel

It chips. We would rather say so.

Anyone selling enamelware that never chips is selling you something else. What we can promise is that a chip stays a chip: the body is a single pressing with no seam for rust to travel along, and the glaze is fired twice so the edge stays blunt instead of flaking outward.

Read the whole argument
Two people washing up after a big meal, one washing the cream KILN Casserole and one drying plates, tea towel over the shoulder, still talking. Daytime, hard sun, no candles lit.

Cooked in, every day

On the stove, in the oven, onto the table and into the sink, every day, for years.

Shop everything

In use

Cooked in, carried to the table, and used every day in the kitchens they live in.

Someone dancing while they cook, wooden spoon in hand over the cream KILN Saucepan, radio on the shelf, caught mid-move. Daytime, hard sun, no candles lit.
A hand lifting the lid off a cream KILN Canister of biscuits on a worktop, another hand already going in. Daytime, hard sun, no candles lit.
A toddler in a high chair with a cream KILN Bowl upended on the tray, hands in it, a parent halfway between laughing and despairing. Daytime, hard sun, no candles lit.
The cream KILN Kettle just boiled on a gas hob with two KILN Mugs waiting beside it, tea bags in, a spoon across one. Daytime, hard sun, no candles lit.
Runner beans and tomatoes being tipped into the cream KILN Colander at an allotment shed, soil still on them. Daytime, hard sun, no candles lit.
Someone reaching into a cupboard for a stack of cream KILN bowls, the plates stacked beside them, cupboard door swung open. Daytime, hard sun, no candles lit.
A pancake mid-air over the black KILN Frying Pan, the cook's face tipped up watching it, two others in the background braced to cheer or jeer. Daytime, hard sun, no candles lit.
Dough proving under a tea towel in a cream KILN Bowl on a sunny worktop, the mustard KILN Tray floured and waiting beside it. Daytime, hard sun, no candles lit.

How a piece is made

Pressed, dipped and fired twice, in one workshop in Águeda.

Pressed

One flat sheet of steel is pressed into shape in a single pass. No seams, no welds, nothing for rust to travel along.

Mixed

Powdered glass and pigment, one bucket for each of the eight glazes. A new color only joins if it fires true and sits beside the other seven.

Dipped

Each piece is dipped by hand, drained and dried, then dipped again for the second coat.

Fired twice

Two firings at about 1,500F fuse the glass to the steel. The second is what keeps the edge of a chip blunt instead of flaking outward.

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